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Buildings as living heritage

Heritage buildings are often seen as that: heritage, preserved like museum pieces for people to look back in nostalgia, or as for researchers to build on the bricks of history. But lived heritage space can also be re-used in a new avatar and ensure its continuity without destructing its architectural value.

This was amply demonstrated at a recent workshop entitled 'Kolkata's Architectural Heritage and Urban Regeneration" organised by the British Council and Calcutta Tercentenary Trust. The latter was formed in 1990 with the 'aim to encourage understanding and conservation of the European artistic, architectural and cultural heritage of India.' It has since successfully restored oil paintings of the Colonial era at the Victoria Memorial Hall, and work is still going on. Kolkata, once called the 'city of palaces' has some of the finest examples of British colonial architecture too built during the city's tenure as capital of British Indian empire till it was shifted to Delhi in 1911. Many of them are now in the heritage list. However, most of them need urgent attention- and funds, before they crumble down as they are in a dilapidated condition.

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Buildings as living heritage

One of the ways to ensure that such buildings are not lost to history could be
looking anew at their potential for 're-use.' S. K. Mishra, president, INTACH (Indian National Trust for Art and Cultural Heritage) showed through slides how the collapsing nooks and crannies of the Jailsalmer Fort, Sonar Kella for Bengalis fed on Satyajit Ray's eponymous adventure film, have been restored. More than 500 people still live within its walls but they have not been displaced but better facilities are being given and taught to take pride in their heritage. The premises like Rani ka Mahal , Har Rajji Ka Mahal, etc. are also being re-used to showcase local art and crafts, locate museum and archive. Plans are also afoot to reintroduce the 1763 Patiala Fort, repository of the biggest collection of war medals in the world (thanks to king Bhupinder Singh's hobby), as a museum and cultural hub. But Mishra also cautioned that ' When re-using an old building, we must think of what it was originally meant for- and how to re-use it now so that there's no dichotomy in the ambience."

Some of the best examples of how that can be done, without spoiling the mood' was demonstrated by Giles Quarme, chairman of the Ancient Monuments Society, England, who talked on " Re-using historic buildings: British Perspective." His firm specialises on alteration and restoration of historical building and was also responsible for building of Visitor's Centre at Lady Diana memorial museum at Althorp Park, and the restoration of the Indian High Commission's premises at Kensington Palace. The popular Covent Garden area, with its historical market revived but as visitor-friendly as in the past, a 1890 dispensary in Zanziber island to a beautiful museum , the original tobacco dock to today's Oliver's Wharf in the Docklands area in London were some of the examples he showcased. " Make environ attractive and economically viable. If you give it to the community it will be preserved. And conservation can make money too with flexibility in attitude." Quarme feels that India has huge potential with hundreds of heritage buildings.
However, its needs will, and a wider perspective. Barun De, vice-president, Asiatic Society, expressed 'a certain disquiet' at the way the listing and preservation of the Kolkata's heritage buildings, is going about.

Looking a new at folk plays

West Bengal is known as a hub of theatre experimentations. Over the years it has presented some of stalwarts and best plays of contemporary Indian theatre. So it was perhaps fitting that the first National Folk Theatre Festival organised by the ministry of culture, Government of India, should be held in Kolkata and organised by the Eastern Zonal Cultural Centre (EZCC).
The festival was planned because, as Anuradha Mukherjee, director, EZCC, reminded, much as people talk and discuss about contemporary plays, whether in Mumbai, Delhi or Kolkata, the traditional folk theatre have been getting a short shrift. Yet, they are the traditions from which later-day plays have evolved. It is also important to look at them anew, not only from the performing art heritage point of view but also to give sustenance to those who still practise them. City folks could thus experience Naqqal a popular folk theatre form from Punjab as well Bhadreswarir Golpo from Bengal. It is a folk tale from Panchakot near Bishnupur, near the Bankura-Purulia border. Bhadu festival, worshipping the goddess of crops, with Bhadu songs are very popular in this area.
"Modern theatre is better off comparatively. This festival is an attempt to rejuvenate the folk tradition of plays and encourage folk performers," Mukherjee pointed out. But for that, even folk theatre has to adapt to modern sensibilities, at least theme-wise. Indian folk theatre is basically about mythical figures, built around the eternal tug-of-war between the good and bad and drawn from epic characters. But today, many theatre groups are experimenting too. Keeping the traditional format, they are taking up themes like drug abuse, violence against women, etc.
It was amply showcased by some plays which came from other zonal centers. Nautanki , a ballad format play from north India was the base for the play Pukar but it talked about Hindu-Muslim bonding. Restaphen, a play from Manipur is based on the tradition of Shumang Leela . Here only male performers and singers participate. While the courtyard theatre format has been retained, the story of the play is about Restaphen who loses his parents during the anti-terrorism war against Afghanistan post 9/11. From Manipur to Afghanistan- it is an interesting cross-over indeed. It also shows how the traditional and the contemporary can merge together to ensure its survival by retaining audience interest in an age of fast changing media.
The festival promises to be an annual affair and should be an interesting add-on to the cultural calendar of Kolkata's connoisseurs.

 

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